Ran Prieur http://ranprieur.com/#9a417fe513f58988c3b5b1e84cfc57397194a79b 2025-10-08T20:00:50Z Ran Prieur http://ranprieur.com/ ranprieur@gmail.com October 8. http://ranprieur.com/#6dd47a2365d5b3c39ec0e249f5ff6bee5c829ce6 2025-10-08T20:00:50Z October 8. I have no ideas this week, but I'm reading two books on the same subject, in very different styles. The subject is entities from outside the reality recognized by physicalism. One book is academic: Fairies, Demons, and Nature Spirits, edited by Michael Ostling. Academics will never write about what the entities actually are, or even say whether they're real or unreal. They just write very carefully about what people believe, and about what words mean. A sample:

Thus the "demonic" is properly understood less as a specific category of supernatural being than a collective reflection on unfortunate occurrences, on the ambivalence of deities, on tensions surrounding social and sexual roles, and on the cultural dangers that arise from liminal or incomprehensible people, places, and activities.

I can learn stuff from this book, but it's difficult and not fun to read. The other book is for a popular audience: The Eighth Tower, a.k.a. The Cosmic Question, by my favorite paranormal author, John Keel. Keel writes constantly about what the entities actually are, but rather than settling on a truth and defending it, he just spins out wild speculations with no attempt to make them consistent. It's great fun to read. A sample:

Over and over again the Bible tells us how men were instructed to create solid gold objects and leave them on mountain tops where the gods could get them. The gods were gold hungry. But why? ... If the ancient gods were real in some sense, they may have come from a space-time continuum so different from ours that their atomic structure was different. They could walk through walls because their atoms were able to pass through the atoms of stone. Gold was one of the few earthly substances dense enough for them to handle. If they sat in a wooden chair, they would sink through it. They needed gold furniture during their visits.


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October 5. http://ranprieur.com/#3e6bda28c4c772b735ea912185abea45c6189534 2025-10-05T17:30:58Z October 5. I'm going to continue writing about personal stuff, and not politics, until politics does something off-script. For all the apparent chaos, it feels very deterministic.

Anyway, when I did my covers playlist, I had a bunch of softer songs left over that were good enough for their own playlist. So I did a lot more listening to fill it out, swapped some songs between the two lists, and in the end the overflow list is maybe better, and definitely more listenable. I renamed the original list "wild covers", and I was going to call the new one "soft covers", but other Spotify playlists with that title are very, very soft, so I'm calling it Dreamy Covers.

Because the songs all have a similar sound, the order was wide open, so I put them in order of the release date of the original. It's strange that there's a huge gap for most of the 70s, almost like that decade was more about style than songwriting. For the image, I used the best of the sixty plus images that I got by putting the prompt "crimson and clover" into DeepAI, for a video that I decided not to make. That's emerging as my favorite use of AI, not to make it do my bidding, but to pull stuff out of a hat.

The songs are mostly obscure, with more under 100k listens than over a million. Lowest, at 8000, is Please Don't Go by Valentina Gaia. You can listen to sappy songs for hours, I know because I did, and not hear a sappy song that good. I also discovered Larkin Poe, two sisters who have done a lot of very good home-recorded covers on YouTube, my favorite being CSN's Southern Cross.

And I've been listening obsessively to Melissa Kassab's cover of Trucker Speed by Fred Eagleton, a 2012 original that conveniently makes it the closer for the new list.


October 3. Fans of Big Blood, Joanna Newsom, or weird folk in general, check out Melissa Kassab. Her two albums are Dog and Rodeo. I discovered her just today while auditioning covers of Crimson and Clover. I listened to every version I could find, Crimson and Clover over and over, and hers had a slow start but it was the last one I didn't get tired of. Her sound is like if primal hillbillies came down into the jazz age.

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October 2. http://ranprieur.com/#7fd1035a978c51310ced649ee60dbdd98aa042c9 2025-10-02T14:00:51Z October 2. After more tinkering, I found a good way to get free AI images, using the DeepAI Image Generator. The best thing is that it has more than 100 different styles. The worst thing is that using the same prompt with the same style leads to very similar images, so I used a lot of styles to get variety. I found that the "Olde Model" option, which appears when you select quality over speed, gave much better results. Then it was just like making a playlist: assemble a bunch of stuff, whittle it down to the best stuff, and put it in the right order. AI is not going to transcend humanity, but it's a very good toy, and this was satisfying project with a lot of interesting choices.

It started with a song, a cover of Chim Chim Cher-ee from Mary Poppins, by an obscure band called Branches. On Discogs they're known as Branches(6) and the album with this song is not even listed. I found the mp3 on Soulseek, buried in a massive folder of covers by a user called Stealth. And the song is so good that I had to make this video: Branches - Chim Chim Cher-ee


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