When you're acting for a camera, it keeps taking and never giving back. When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. It's an extraordinary thing. It's wild turf up there. The time I was doing Pavlo Hummel in Boston, I made connection with a pair of eyes in the audience and I thought, This is incredible, these eyes are penetrating me. I went through the whole performance just relating to those eyes, giving the whole thing to those eyes. I couldn't wait at curtain to see who it was. When curtain call finally came, I looked in the direction of those eyes and it was a seeing eye dog. Belonged to a blind girl. I couldn't get over it - the compassion and intensity and the understanding in those eyes... and it was a dog. What a profession!

Finally, Big Blood have a really interesting new album, Electric Voyeur. It's all played on handmade electronics that they've been building and practicing on for ten years. At the same time, it still sounds like Big Blood, with a clear evolutionary thread from recent albums, and from two older songs, "But I Studied" and "Sidewalk-Walk/Un-Nole". There's also an instrumental version, which almost sounds like a different album. My favorite track, from the main album, is Who Lives. This is my giant Big Blood page.

The re-establishment of an ecological balance depends on the ability of society to counteract the progressive materialization of values. Otherwise man will find himself totally enclosed within his artificial creation, with no exit. Enveloped in a physical, social, and psychological milieu of his own making, he will be a prisoner in the shell of technology, unable to find again the ancient milieu to which he was adapted for hundreds of thousands of years. The ecological balance cannot be re-established unless we recognize again that only persons have ends and that only persons can work toward them. Machines only operate ruthlessly to reduce people to the role of impotent allies in their destructive progress.

The "pipe" in this analogy represents our capacity to let emotions flow. If your pipes are clogged - if you have unresolved issues, repressed feelings, or mental blockages - those emotions can come out muddy or overwhelming when shrooms turn on the tap. But if you've been doing inner work and clearing out old debris, the flow can be more crystalline and uplifting.

And two more Reddit threads. I don't know what's up with the Ask Reddit mods, that they consistently remove the most interesting threads. What's the most meaningful expression of love you've ever seen or experienced? And What's the one random genetic trait you lucked out on? This is the one I most envy:

Got the joie de vivre. Life fuckin rules, even when it doesn't. My dad has it, his parents had it, their parents had it, etc. Honestly feels like a superpower to find joy in things every day, especially in the world we live in now.