Ran Prieur http://ranprieur.com/#9a417fe513f58988c3b5b1e84cfc57397194a79b 2019-05-10T22:00:41Z Ran Prieur http://ranprieur.com/ ranprieur@gmail.com May 10. http://ranprieur.com/#fb21dab334455a5cec44cdad3f289af871801150 2019-05-10T22:00:41Z May 10. Yesterday we went to the zoo, and I'm wondering if I can do anything new with the old metaphor, that our society is a "human zoo". For the metaphor to be helpful, there has to be an anti-zoo, a possible human condition that corresponds to wild animals in nature. You could argue that there isn't, because 1) we're domesticated, 2) there's a huge variety of nature-based cultures, and 3) some of them are worse than the zoo.

But I'm going to say there is a human anti-zoo: it's any society that fits human nature. Defining "fit" is a hard problem, but I would start with Erich Fromm's argument for the very existence of human nature: that if we were infinitely malleable, there would be no revolutions.

This thoughtful essay, The Myth of Convenience, argues that the project of technological society has changed, from the conquest of nature to the conquest of human nature. This much longer essay, how to do nothing, explains how public spaces are engineered to keep everyone busy. It's full of other ideas about art and technology and perception, but I don't have time to read the whole thing right now - I'm on vacation.

Anyway, now the zoo metaphor is getting stretched, because zoo animals are bored - yesterday we saw an elephant that has worn a path from walking in a figure 8. For modern humans, boredom is a luxury. We're so overwhelmed with demands on our attention that having nothing to do would be an upgrade. It's funny, every cage has a sign: don't tap on the glass. We have yet to give ourselves that protection.

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May 7. http://ranprieur.com/#e0010d983a7c4dfb5fd484674037de88c8a3488b 2019-05-07T19:30:10Z May 7. Quick update on my travels. We're in Richmond Virginia, staying in Carytown, which has lots of cool stuff. Yesterday we went to the museum of fine arts, where my favorites were a Thomas Hart Benton lithograph, some Art Nouveau sculptures, and some African masks. Later we saw the show that inspired this whole trip, Idles and Fontaines DC, which stands for Dublin City, not District of Columbia, where we'll be for the next week.

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May 3. http://ranprieur.com/#5d0f066b7b2c396e4908815e5c904393e03b83a8 2019-05-03T15:50:58Z May 3. Long article from the Guardian, Post-work: the radical idea of a world without jobs. Every time I read an article about "work", I like to go through and mentally substitute "work for money", because that's what they're really talking about, and it makes the issue a lot more clear. For example, when a politician says "Mankind is hardwired to work," he means we're hardwired to be active, and he can't imagine any way of managing human activity other than the money-based system that's only a few hundred years old, and already failing.

Related, a short blog post, I Can't Do Anything for Fun Anymore; Every Hobby Is an Attempt to Make Money. I'm the opposite. When I start a creative project, I see the world of money as a danger.

For example, this long reddit comment describes the conflict between Mike Love and Brian Wilson in the Beach Boys. Brian Wilson wanted to keep pushing the boundaries of creativity, while Mike Love wanted to make money by giving audiences what they expected. Love got his way, mainly because Wilson was sliding into mental illness.

Subtly related: Behind the New, Gloriously Queer Emily Dickinson Movie. Emily Dickinson has always been seen as "a lonely, morose spinster," but it turns out she had a life-long lover, who married Emily's brother just so the two could be close. The evidence is in erased lines from letters, which have been recovered through new technology. The funny thing is, another Emily Dickinson movie, A Quiet Passion, got a lot of stuff wrong, and nobody questioned its accuracy, while the new movie, Wild Nights With Emily, is based on much more careful scholarship, and people are angrily challenging it. The point is, you have to fight to show people something different from what's already in their heads.

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May 1. http://ranprieur.com/#dfc65c082544990007232abb6b71a4fb70578b2a 2019-05-01T13:30:24Z May 1. Continuing from Monday, Nick writes:

I live in Ho Chi Minh City, and here that collective consciousness is glaringly obvious. I joked that you could do a documentary about Vietnamese motorbike riders where David Attenborough says "despite decades of research, nobody knows how they so precisely and quickly coordinate their movements."

Now I'm trying to diagnose myself, because I've never experienced that kind of flow state. It's not mental vs physical. In middle school I was the worst athlete in every sport, but I was also the best calligrapher in art class and the best lathe worker in shop class. When I get in the flow, it's always working alone, with unlimited time to really focus my attention.

I think the reason I can't get into the flow in fast group activities, is that I have something like proprioceptive dysfunction. It's not that I don't know where my limbs are or how to move them, but that I don't know subconsciously. For me to walk around without bumping into things, takes the same kind of mental focus as saying tongue twisters, or counting the grooves around a coin. Maybe I'm good at those things because I have to practice that kind of precise focus all the time, just to navigate the physical world without people getting mad at me.

Related: On Monks and Email. It's a short post about how medieval monks arranged their lives to eliminate distractions so they could spend hours in deep thought, and how we're basically the opposite.

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