Ran Prieur http://ranprieur.com/#9a417fe513f58988c3b5b1e84cfc57397194a79b 2019-05-03T15:50:58Z Ran Prieur http://ranprieur.com/ ranprieur@gmail.com May 3. http://ranprieur.com/#5d0f066b7b2c396e4908815e5c904393e03b83a8 2019-05-03T15:50:58Z May 3. Long article from the Guardian, Post-work: the radical idea of a world without jobs. Every time I read an article about "work", I like to go through and mentally substitute "work for money", because that's what they're really talking about, and it makes the issue a lot more clear. For example, when a politician says "Mankind is hardwired to work," he means we're hardwired to be active, and he can't imagine any way of managing human activity other than the money-based system that's only a few hundred years old, and already failing.

Related, a short blog post, I Can't Do Anything for Fun Anymore; Every Hobby Is an Attempt to Make Money. I'm the opposite. When I start a creative project, I see the world of money as a danger.

For example, this long reddit comment describes the conflict between Mike Love and Brian Wilson in the Beach Boys. Brian Wilson wanted to keep pushing the boundaries of creativity, while Mike Love wanted to make money by giving audiences what they expected. Love got his way, mainly because Wilson was sliding into mental illness.

Subtly related: Behind the New, Gloriously Queer Emily Dickinson Movie. Emily Dickinson has always been seen as "a lonely, morose spinster," but it turns out she had a life-long lover, who married Emily's brother just so the two could be close. The evidence is in erased lines from letters, which have been recovered through new technology. The funny thing is, another Emily Dickinson movie, A Quiet Passion, got a lot of stuff wrong, and nobody questioned its accuracy, while the new movie, Wild Nights With Emily, is based on much more careful scholarship, and people are angrily challenging it. The point is, you have to fight to show people something different from what's already in their heads.

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May 1. http://ranprieur.com/#dfc65c082544990007232abb6b71a4fb70578b2a 2019-05-01T13:30:24Z May 1. Continuing from Monday, Nick writes:

I live in Ho Chi Minh City, and here that collective consciousness is glaringly obvious. I joked that you could do a documentary about Vietnamese motorbike riders where David Attenborough says "despite decades of research, nobody knows how they so precisely and quickly coordinate their movements."

Now I'm trying to diagnose myself, because I've never experienced that kind of flow state. It's not mental vs physical. In middle school I was the worst athlete in every sport, but I was also the best calligrapher in art class and the best lathe worker in shop class. When I get in the flow, it's always working alone, with unlimited time to really focus my attention.

I think the reason I can't get into the flow in fast group activities, is that I have something like proprioceptive dysfunction. It's not that I don't know where my limbs are or how to move them, but that I don't know subconsciously. For me to walk around without bumping into things, takes the same kind of mental focus as saying tongue twisters, or counting the grooves around a coin. Maybe I'm good at those things because I have to practice that kind of precise focus all the time, just to navigate the physical world without people getting mad at me.

Related: On Monks and Email. It's a short post about how medieval monks arranged their lives to eliminate distractions so they could spend hours in deep thought, and how we're basically the opposite.

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