Electric Sheep is a collaborative abstract artwork founded by Scott Draves. It's run by thousands of people all over the world, and can be installed on any ordinary PC, Mac, Android, or iPad. When these computers "sleep", the Electric Sheep comes on and the computers communicate with each other by the internet to share the work of creating morphing abstract animations known as "sheep".
Anyone watching one of these computers may vote for their favorite animations using the keyboard. The more popular sheep live longer and reproduce according to a genetic algorithm with mutation and cross-over. Hence the flock evolves to please its global audience. You can also design your own sheep and submit them to the gene pool.
On this page I found a torrent to download this two hour Electric Sheep in HD video. It has 256 "sheep", each one 7.2 seconds long, looping three times, then a 7.2 second transition to the next one. It played on my computer but not on my TV, so I learned about the program Handbrake which converts almost any video format to one that plays on newer HDTV's.
The conversion took all night, and two weeks ago I ate some cannabutter and watched the whole thing. I became obsessed with naming the sheep, and the next day I wrote a list of all 256, the starting times, and names for about 90% of them. Some of my names were obvious and literal, like Fire Taffy, and others were subtle and intuitive, like Audrey Hepburn. I would eventually make the Indang Pariman video from one I called April Shrine (which is not that trippy but really fits the song). And when I happened to be watching one I called Mayan Calendar while listening to Don't Trust The Ruin II, its sharp ghostly appearance fit the song perfectly and I realized that I could use the sheep to make a lot more videos.
It's hard to find good advice on video editing software because people use it in so many different ways. The main thing I needed was very precise copying and pasting so I could seamlessly multiply the loops. The problem is that video files do not store a screenshot of every frame. They store a small proportion of frames, called I-frames, plus data for calculating the other frames forward from the I-frames. So cutting at I-frames is easy and cutting at other frames is really hard. I tried a free video editor called Avidemux, and couldn't get it to work, but I found forum threads where people recommended an older version of Avidemux, 2.5.6.
Even that didn't work perfectly. I frequently had to use the tool "rebuild I and B frames". I learned that you can scan forward frame by frame, but scanning backward more than a few frames will freeze the program, so you have to go back to the next I-frame and then forward. When I tried to add audio, Avidemux failed to recognize most mp3's, so I used the Audacity audio editor to convert them to wav files.
Anyway, I started with the giant two hour file, used I-frames to copy blocks containing my favorite sheep into much smaller files without reprocessing, cleaned up the edges of those files and saved them at a smaller size (1280x720), went into those files and bracketed and duplicated the 180-frame loops to just over the song length, trimmed the transitions to fit the song length, and finally added the audio.
This week I made four Big Blood Electric Sheep videos. For each of the two above, and Sick With Information, I used only one sheep. But for one of their greatest songs, Adversaries and Enemies, I decided to use four sheep and sync the transitions with song changes. It took a bunch of drafts, and working around loops of fixed length I couldn't get the first transition perfect, but I'm happy with the other two and the end.
]]>While the moon smoothly shifted the shadows from one side of Edgewood to the other, Daily Alice dreamed that she stood in a flower-starred field where on a hill there grew an oak tree and a thorn in deep embrace, their branches intertwined like fingers. Far down the hall, Sophie dreamed that there was a tiny door in her elbow, open a crack, through which the wind blew, blowing on her heart. Dr. Drinkwater dreamed he sat before his typewriter and wrote this: 'There is an aged, aged insect who lives in a hole in the ground. One June he puts on his summer straw, and takes his pipe and his staff and his lamp in half his hands, and follows the worm and the root to the stair that leads up to the door into blue summer.' This seemed immensely significant to him, but when he awoke he wouldn't be able to remember a word of it, try as he might. Mother beside him dreamed her husband wasn't in his study at all, but with her in the kitchen, where she drew tin cookie-sheets endlessly out of the oven; the baked things on them were brown and round, and when he asked her what they were, she said 'Years'.