I believe the very concept of exclusive intellectual property with respect to recorded music has come to a natural end, or something like an end. Technology has brought to a head a need to embrace the meaning of the word "release", as in bird or fart. It is no longer possible to maintain control over digitised material and I don't believe the public good is served by trying to.
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Music has entered the environment as an atmospheric element, like the wind, and in that capacity should not be subject to control and compensation. Well, not unless the rights holders are willing to let me turn the tables on it. If you think my listening is worth something, OK then, so do I. Play a Phil Collins song while I'm grocery shopping? Pay me $20.
And continuing on Monday's subject, Anne explains why Voldemort and other Hollywood villains are so ridiculous:
]]>How can you make the ministry of magic, which is more or less MI5/GCHQ for wizards, look sympathetic? You need an opponent who, unlike real criminals - who tend to be motivated by rage, addiction, poverty, and mental illness - acts on motives and methods so devious and dense that they make a regulatory apparatus look benign in comparison. Snape is a tragic antihero. Voldemort? Evil (tm). He has to be, otherwise the Death Eaters start to look pathetic, the way neo-nazis or the National Front look in real life, the kind of broken losers whose childhood dreams of being awesome were damaged by bullying and irrelevance, stolen opportunities, bad decisions, and depression.
To put it another way: when Obama said that Americans get bitter and cling to their guns and religion, the Right made him walk it back. He shouldn't have done that; he should have said "What, you don't have an uncle like that? a brother-in-law? a coworker?" Because basically everyone does. Would you go to see seven movies in a row about straight-A students from a top school with connections in government beating the snot out of your Drunken Uncle Howard? That would just be sad. Straight-A students with connections have been beating up on Drunken Uncle Howard his whole life, that's why he's such a dick.
You can not agree with organ sales unless you concede that 1) Slavery in nexum is ethical. 2) There is no fundamental natural right to life or liberty. 3) The members of a society have the right to organise it in such a way that the death of some of them are structurally ensured. 4) That they further have the right to make use of that certainty to exploit those condemned to death for the benefit of some of their preferred members.
Good news: Self-filling water bottle turns humidity into drinking water for cyclists.
And I don't really understand this programming article but I have an intuition that it's important, both technologically and philosophically: Pulling JPEGs out of thin air with several hundred million uses of something called a fuzzer.
In game design, they talk about choices that matter. If a choice is presented but people feel obligated to take only one of the branches, that's not really a choice. You must take this option, taking that other option is stupid. Or if taking a branch doesn't result in any perceived consequence. Then take any branch, the choice doesn't matter. They put those kinds of choices in front of you all the time. How do you like your steak cooked? Should I use the gelpacks or the powder for the dishwasher?
This is important so I'll say it again in my own words. If the choice doesn't effect your path, like Coke or Pepsi, then it's not interesting; and if one choice is obviously stupid, like keep your car on the road or run it off, then it's not interesting. But deprive people of interesting choices for too long, and they start making the obviously stupid choice just to feel alive. Another way to say it: we would rather do the wrong thing that we choose ourselves, than the right thing that is chosen for us. I think this explains a lot of behavior that otherwise doesn't make any sense, and it's why even the most benevolent central control can never make a good society, or even a good family.
]]>By all appearances, Google's bosses genuinely believe in the civilizing power of enlightened multinational corporations, and they see this mission as continuous with the shaping of the world according to the better judgment of the "benevolent superpower." They will tell you that open-mindedness is a virtue, but all perspectives that challenge the exceptionalist drive at the heart of American foreign policy will remain invisible to them. This is the impenetrable banality of "don't be evil." They believe that they are doing good.
Next, Why I stopped reading/hearing/watching the news. You probably don't have to read it because the arguments are exactly what you would expect. But this fits with my October 13 post about why the 21st century is so depressing. You are biologically adapted to be part of a tribe, and in a good tribe everyone has a voice: your awareness extends to the interests of the whole tribe, and your political influence extends to the behavior of the whole tribe. Now, through the liberal media, the tribe we care about is the entire world. At the same time, your global political influence is exactly zero.
The role of the government, working together with the big media, is to form a giant buffer, a big squishy membrane, between the masses and the forces that really run things. From our side the membrane looks like politicians listening to the people and solving problems -- or more often, failing to solve problems. Then dissenting voices say that the politicians are bad people, but these voices are also part of the show. When Obama does complete 180 on Guantanamo Bay, you hear that he betrayed voters, but you don't hear the more troubling interpretation: that there is an unseen authority above the President of the United States, and it has torture prisons.
The other side of the membrane also shows an illusion, and this brings us back to the Assange piece: the people at the top cannot function unless their view of reality is filtered to make them the good guys. So on one level the world is ruled by a few hundred very powerful people who all know each other, but on a deeper level the world is ruled by the stories they tell themselves, the way they have to frame reality to make their actions right:
The world is ruled by the story that global-scale decisions must be made from the top (or center), that decisions from the bottom (or edge) are dangerous; that political stability is more valuable than political participation; that "economic development" (the definition is too big to get into here) is a good thing; and the story I find most interesting, that you raise the quality of life of ordinary humans by taking away their pain and giving them stuff, not by giving them interesting choices.
I recognize that this kind of creepshow fanbase is an ongoing risk. So many of the topics that interest me - paganism, black metal, global health, informatics, ecology - are just shot through with Americans (mostly) who feel perfectly comfortable describing their insanely privileged lives as some kind of last-ditch bunker action against a howling paleo-Lovecraftian chaotic swarm of death.
Also, this subreddit thread has several responses to Monday's question about why the right thinks the left wants to overprotect children, including one I got over email and just posted there.
]]>The Western child today is mostly kept inside his own home, associating with other children only in highly structured, adult-supervised settings such as school and sports teams. It was not always so. Throughout history, bands of children gathered and roamed city streets and countrysides, forming their own societies each with its own customs, legal rules and procedures, parodies, politics, beliefs, and art. With their rhymes, songs, and symbols, they created and elaborated the meaning of their local landscape and culture, practicing for the adult work of the same nature. We are left with only remnants and echoes of a once-magnificent network of children's cultures, capable of impressive feats of coordination.
I don't know what to make of the fact that on reddit, this link did best on a right wing subreddit called Dark Enlightenment. How did overprotection of children become associated with the left?
]]>I always hated radio and the jerks who pushed that shit music into my tender mind, with rare exceptions. When I was a boy, I used to sit for hours suffering through the entire US radio top 40 waiting for that one song by The Beatles and the other one by The Kinks.
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I worked half of my life for free. I didn't really think about that one way or the other, until the masters of the record industry kept complaining that I wasn't making them any money. To tell you the truth, when it comes to art, money is an unimportant detail. It just happens to be a huge one unimportant detail. But, a good LP is a being, it's not a product. It has a life-force, a personality, and a history, just like you and me. It can be your friend. Try explaining that to a weasel.
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If who you are is who you are that is really hard to steal, and it can lead you in all sorts of useful directions when the road ahead of you is blocked and it will get blocked.
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When I was starting out as a full time musician I was walking down the street one bright afternoon in the seedier part of my Midwestern college town. I passed a dive bar and from it emerged a portly balding pallid middle aged musician in a white tux with a drink in one hand and a guitar in the other. He was blinking in the daylight. I had a strong intuition that this was a fate to be avoided.
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The most punk thing I ever saw in my life was Malcolm McLaren's cardboard box full of dirty old winklepinkers. It was the first thing I saw walking in the door of Let It Rock in 1972 which was his shop at Worlds End on the Kings Road. It was a huge ugly cardboard bin full of mismatched unpolished dried out winklepickers without laces at some crazy price like maybe five pounds each. Another 200 yards up the street was Granny Takes a Trip, where they sold proper Rockstar clothes like scarves, velvet jackets, and snake skin platform boy boots. Malcolm's obviously worthless box of shit was like a fire bomb against the status quo because it was saying that these violent shoes have the right idea and they are worth more than your fashion, which serves a false value.
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If I wanna make music, at this point in my life I'd rather do what I want, and do it for free, which I do, or cheap, if I can afford to... Every free media platform I've ever known has been a front for advertising or propaganda or both. And it always colors the content... I can't help but note that it always seems to be the pursuit of the money that coincides with the great art, but not its arrival. It's just kind of a death agent. It kills everything that fails to reflect its own image, so your home turns into money, your friends turn into money, and your music turns into money.
I want to mention here that my latest favorite band, Big Blood, all have day jobs and don't even try to make money from their music. And if we ever get an unconditional basic income, we will get to listen to millions of people who don't have to compromise toward what Iggy Pop calls "the kind of music that people listen to when they're really not that into music."
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